Danny Treacy talk.
Today we had the pleasure of having a guest lecture from photographer Danny Treacy, who spoke to us about the way in which he works and showed us examples of his work.
The first work he spoke about was one in which he travelled to Ireland and found an empty house in a field. He said that he felt that this building felt like a forensic crime scene, and it felt like the images he was taking was more about dereliction which is something that doesn't particularly interest him - he is more interested in accessibility.
This work then lead him on to go into the studio, because he thought there was too much within the images previously and this created distractions - the location was not something that was important to him. The studio created imagery that had a forensic sense about them, they were more intimate and the clothes themselves spoke of the location they were from.
The first work he spoke about was one in which he travelled to Ireland and found an empty house in a field. He said that he felt that this building felt like a forensic crime scene, and it felt like the images he was taking was more about dereliction which is something that doesn't particularly interest him - he is more interested in accessibility.
He then moved into a different area of working: he put on clothes himself that he had found and set up his camera on a tripod with a timer. He was unsure initially what the work was about and why it interested him - was it about Ireland? The time of day? For these images he used a sewing machine or hand sewed each piece together to create costumes.
This work then lead him on to go into the studio, because he thought there was too much within the images previously and this created distractions - the location was not something that was important to him. The studio created imagery that had a forensic sense about them, they were more intimate and the clothes themselves spoke of the location they were from.
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